I Don't Start With A Color Order,

What Concerns Me When I Work, Is Not Whether The Picture Is A Landscape, Or Whether It's Pastoral, Or Whether Somebody Will See A Sunset In It. What Concerns Me Is - Did I Make A Beautiful Picture?

There Are Many Accidents That Are Nothing But Accidents-and Forget It. But There Are Some That Were Brought About Only Because You Are The Person You Are... You Have The Wherewithal, Intelligence, And Energy To Recognize It And Do Something With It.

A Really Good Picture Looks As If It's Happened At Once. It's An Immediate Image.

A Really Good Picture Looks As If It's Happened At Once. It's An Immediate Image. For My Own Work, When A Picture Looks Labored And Overworked, And You Can Read In It As Well - She Did This And Then She Did That; There Is Something In It That Has Not Got To Do With Beautiful Art To Me. And I Usually Throw These Out, Though I Think Very Often It Takes Ten Of Those Over-labored Efforts To Produce One Really Beautiful Wrist Motion That Is Synchronized With Your Head And Heart, And You Have It, And Therefore It Looks As If It Were Born In A Minute.

We Would Sift Through Every Inch Of What It Was That Worked, Or If It Didn't, And Wonder What Was Effective In It, In Terms Of Paint, The Subject Matter, The Size, The Drawing.