I Don't Really Approach A Character As

The Play I Did On Broadway A Couple Of Seasons Ago Started Out Of Town And It Moved Its Way Into New York Because Of The Experience That We Had Out Of Town.

I Don't Really Approach A Character As To Whether Or Not It's Good Or Bad. I Just Approach A Character As To Where It Lives In Me.

I've Had Some Pretty Stimulating Conversations About Where We Are Politically As A Result Of This Movie [snowden], But Then There Are A Lot Of Questions Just About That Sensationalism Of It.

J.c. [chandor] Was The Kind Of Energy We Were Looking For, So We Decided To Get Behind It With All Of Our Effort. That Was The Beginning Of Our Relationship With First-time Feature Directors, And That's When It Became Really Important To Us, Watching Them Thrive And Grow In A Creative Environment In Which You Can Do That Was Really Key. Also His Work Checked All The Boxes, Because It Was Socially Relevant And Intellectually Driven, And Creatively Exciting.

If It Was A Biopic About Glenn Greenwald, I Would Have Immersed Myself More Fully In His Personal Life And Gotten To Know Him As Much As I Could, But Because It Was Much More About His Relationship To This Particular Situation, To The Guardian, To Laura Poitras, And To Ewen Macaskill, And Edward Snowden, I Was Able To Really Learn A Lot About Him From Reading His Book And Reading His Many Articles And Accounts Of That Time.