I Don't Need A Reason To Kill

Sometimes The Work Can Get In The Way And You Give A Less-good Performance, And Sometimes It Doesn't And You Can Really Get To The Heart Of Something. And All The Other Stuff Is Just Interesting And Adds Another Layer To Your Performance. It Helps You Find The Reality. Because You're Not Just Playing Yourself, You Know? That Would Be Kind Of Boring.

I Don't Really Watch My Moves All That Often; I Mean, Really, I Don't.

Quentin's [tarantino] Thing Is "i Don't Want Anybody To Get Up Until They Have To. So, Because He Really Wants Things To Come Organically. And He May Have Specific Things Like "no, This ... I Want You To Be Here So That When He Punches You, It Falls. I Want That Action To Happen Here." But You Feel Like It Does, All The Blocking Does Come From An Organic Response To The Material.

I'm Not Necessarily Less Gratified By Films Where You're Given Less Room To Maneuve. Because I Love A Great Script, And I Love To Respect It, And I Love To Try To Give A Director What He Needs And Wants, Especially Having Directed Now. [laughs.] I'm Much More Open To Try To Give Him What He Wants And Figure It Out. I Like Working With Directors I Respect And Admire, Obviously. And Everybody Has Their Own Way.

I Hope My Talent Has Something To Do With It. I Just Think This Business Is So Crazy. I Obviously Do The Best I Can, And The Directors I Admire See Something In Me. But This Is A Strange Business, And There Are People Who Are Incredibly Talented Who Never Make It, Who Never Get These Opportunities. So That's Why I Say I'm Lucky. I Don't Feel That I'm Not Talented - I Think I Am Talented - But I Also Think I'm Very Lucky.