I Don't Know Which I Like Best.

I Believe In Living Each Day As It Comes, To The Best Of My Ability. When It's Done, I Put It Away, Remembering That There Will Be A Tomorrow To Take It's Place. If I Have Any Philosophy, That's It. To Me It's Not A Fatalistic Attitude.

'flying Down To Rio' Established Rko As A Leader In Musical Film Production Throughout The 1930s. The Film Helped To Rescue The Studio From Its Financial Straits And It Gave A Real Boost To My Movie Career.

During My Seven-year Contract With Rko, There Were Seven Different Studio Presidents, From David O. Selznick To Charles W. Koerner. You Literally Had To Check The Name On The Door So As Not To Call The New Boss By The Former Boss's Name.

When You're Happy, You Don't Count The Years.

I Had Been Making Films For Almost Ten Years, And The Head Men At Rko Thought Of Me Only In Terms Of Musicals. I Found No Fault With That, Except I Just Couldn't Stand Being Typed Or Pigeonholed As Only A Singing And Dancing Girl. I Wanted To Extend My Range.