I Don't Create Blurs. Blurring Is Not

Abstract Pictures Are Fictive Models, Because They Make Visible A Reality That We Can Neither See Nor Describe, But Whose Existence We Can Postulate.

Experience Has Proved That There Is No Difference Between A So-called Realist Painting - Of A Landscape, For Example - And An Abstract Painting. They Both Have More Or Less The Same Effect On The Observer.

Cage Is Much More Disciplined. He Made Chance A Method And Used It In Constructive Ways; I Never Did That. Everything Here Is A Little More Chaotic.

The Grey Is Certainly Inspired By The Photo-paintings, And, Of Course, It's Related To The Fact That I Think Grey Is An Important Colour - The Ideal Colour For Indifference, Fence-sitting, Keeping Quiet, Despair. In Other Words, For States Of Being And Situations That Affect One, And For Which One Would Like To Find A Visual Expression.

Pictures Are The Idea In Visual Or Pictorial Form; And The Idea Has To Be Legible, Both In The Individual Picture And In The Collective Context - Which Presupposes, Of Course, That Words Are Used To Convey Information About The Idea And The Context. However, None Of This Means That Pictures Function As Illustrations Of An Idea: Ultimately, They Are The Idea. Nor Is The Verbal Formulation Of The Idea A Translation Of The Visual: It Simply Bears A Certain Resemblance To The Meaning Of The Idea. It Is An Interpretation, Literally A Reflection.