I Consider All My Films Experiments.

I Like To Write For Actors I Know And With Whom I've Worked Before. You Can Write To Their Strengths And Weaknesses And Write Roles That Are Better Suited To Them.

To Me, It's Far More Efficient To Mobilize The Imagination. It's Far More Efficient To Hear A Creaking Step, For Example, Than To See The Face Of A Monster, Which Usually Looks Ridiculous, And Where You Know That The Blood Is Ketchup.

When Ideas Lead To Ideology, That's A Very Dangerous Thing. Ideology Then Leads To Creating The Image Of An Enemy, And It Leads To The Murder And Massacre.

If I'm Reading A Book That Doesn't Leave Me With Questions, Moving Questions, That I Feel Confronted With, Then For Me It's A Waste Of Time. I Don't Want To Read A Book That Simply Confirms What I Already Know.

It's A Disease Of Critics That Once They've Labeled Someone, It's Very Hard To Change Their Perspective. It's Laziness.