I Cannot Force A Design; I Do

I Do Think The Smaller-scale Studio Works Have That Incredible Love Of Data Crunching, Whereas I Would Say The Large-scale Earthworks Tend To Be Much More Stripped-down. With The Mappings, As Connected As They Are To A Much More Analytical Idea, What's A Map? And Can I Make A Map About Time? I Think The First Time Was Hurricane Sandy, The Flood Plane; A Moment In Time, But Indelibly Marked On Any Of Us Who Were In The City. Mapping Time Is Something That I'm Really Interested In.

A Lot Of My Works Deal With A Passage, Which Is About Time. I Don't See Anything That I Do As A Static Object In Space. It Has To Exist As A Journey In Time.

Even Though I Build Buildings And I Pursue My Architecture, I Pursue It As An Artist. I Deliberately Keep A Tiny Studio. I Don't Want To Be An Architectural Firm. I Want To Remain An Artist.

I Went Through Withdrawal When I Got Out Of Graduate School. It's What You Learn, What You Think. That's All That Counts.

Art Is Very Tricky Because It's What You Do For Yourself. It's Much Harder For Me To Make Those Works Than The Monuments Or The Architecture.