I, As A Young Guy Getting Out

I Always Knew What I Wanted To Do And I Did It.

I Consider The First 20 Performances Just Learning The Piece. Think About It This Way: If You Think About A Pianist Who Plays A Schubert Sonata Through His Whole Lifetime - If You Listen To Rubenstein Or Horowitz Playing Their Repertoire Later In Their Life, You Understand The Richness With Which They Play That Music, And How Differently They Must Have Played It When They Were Younger.

I Don't Know What I'm Doing And It's The Not Knowing That Makes It Interesting.

I Shift Between Mediums Very Frequently. Instead Of Taking A Break From Writing, I Just Write In A Different Medium Or In A Different Way Or For A Different Purpose, So That I Don't Actually Stop Writing - I Just Go To Something Else. Like Going From A Big Symphony To A Piano Piece Is Great And Very Refreshing, I Find. And Then Going From That To A Big Concerto, And Then Having To Go Out And Play.

I'd Say The Differences Are More Interesting Than The Similarities At This Point. Certainly No One Would Ever Mistake My Music For Steve's [ Reich].