I Am Talking About Poetry. It's Like

When Emily Dickinson's Poems Were Published In The 1890s, They Were A Best-seller; The First Book Of Her Poems Went Through Eleven Editions Of A Print Run Of About 400. So The First Print Run Out Of Boston For A First Book Of Poems Was 400 For A Country That Had Fifty Million People In It. Now A First Print Run For A First Book Is Maybe 2,000? So That's A Five-time Increase In The Expectation Of Readership. Probably The Audience Is Almost Exactly The Same Size As It Was In 1900, If You Just Took That One Example.

I Teach A Lecture Course On American Poetry To As Many As 150 Students. For A Lot Of Them, Its Their Only Elective, So This Is Their One Shot. Theyll Take The Russian Novel Or American Poetry, So I Want To Give Them The High Points, The Inescapable Poets.

Everybody Has A Different Idea Of When Those Good Old Days Were, But Everyone Is Convinced That There Was A Time When Literature Really Mattered And That It Doesn't Now. They Also Tend To Believe That It Really Matters Someplace Else - In Very Improbable Places Often. Russia Is Someone's Idea Of A Place Where Literature Really Counts.

It Was One Of The Great Mass Achievements Of American Civilization, And We Did It Because We Thought If You Were Going To Have A Democratic Form Of Government, People Had To Be Able To Read And Understand Complicated Ideas On Their Own.

Prose Gets Divided Up Into Fiction And Nonfiction And Short Fiction And Long Fiction And Autobiographical Nonfiction And So On. Poetry Can Do Any Of Those Things Except With The Added Definition Of Intensified Formal Pressure.