I Always Feel In Improv That Nothing

You Have To Know Everything. You Have To Know How To Light A Scene. You Have To Know All This Technical Stuff About Directing. No, You Don't. You Can Know As Much Or As Little As You Have To. Your Main Job Is To Get Great Performances And Tell The Story Correctly And Capture It Correctly. Then It's Just Basically Yours To Complicate Or Simplify As Much As You Want.

It's Healthy To Have Older Friends. You Go, 'look, I'm Younger Than Them!' That's Always The Nice Thing, If You Can Be The Youngest One In The Room At Times. Like If You're Always The Oldest One In The Room, You'll Start To Feel Like The Oldest Person In The World. So Get Older Friends, Because They're Cool. Get Cool Older Friends.

I'm From Mt. Clemens, Michigan. It's Right Outside Detroit. The Suburbs. I Was Always Very Heavily Involved In Theater Back Then. I Was Always In Drama Club Or Forensics. Anything That You Could Do That Had Some Performing, I Was Doing It.

As A Director, I Really Wanted To Learn And I Needed To Get Away From My Own Stuff To Figure Out How To Just Do Things And Work With Good People.

Katie Dippold, Who I Wrote The Script With, She's Very Into Ghosts And All That. So I Go, "hey, Why Don't You Talk To Katie?"