How Do You Fight Someone If You

I Don't Like The Strictly Objective Viewpoint [in Which All Of The Characters' Actions Are Described In The Third Person, But We Never Hear What Any Of Them Are Thinking.] Which Is Much More Of A Cinematic Technique. Something Written In Third Person Objective Is What The Camera Sees. Because Unless You're Doing A Voiceover, Which Is Tremendously Clumsy, You Can't Hear The Ideas Of Characters. For That, We Depend On Subtle Clues That The Directors Put In And That The Actors Supply. I Can Actually Write, "'yes You Can Trust Me,' He Lied." [but It's Better To Get Inside The Characters' Heads.]

I Can See A Scene In My Head, And When I Try To Get It Down In Words On Paper, The Words Are Clunky; The Scene Is Not Coming Across Right. So Frustrating. And There Are Days Where It Keeps Flowing. Open The Floodgates, And There It Is. Pages And Pages Coming. Where The Hell Does This All Come From? I Don't Know.

Faith Is Like Porridge. Better With Milk And Honey.

Writing Is Like Sausage Making In My View; You'll All Be Happier In The End If You Just Eat The Final Product Without Knowing What's Gone Into It.

It's Not," Mormont Told Him. "gods Save Us, Boy, You're Not Blind And You're Not Stupid. When Dead Men Come Hunting In The Night, Do You Think It Matters Who Sits The Iron Throne?