He (the Agent) Just Takes Ten Per

The Wise Screen Writer Is He Who Wears His Second-best Suit, Artistically Speaking, And Doesn't Take Things Too Much To Heart. He Should Have A Touch Of Cynicism, But Only A Touch. The Complete Cynic Is As Useless To Hollywood As He Is To Himself. He Should Do The Best He Can Without Straining At It. He Should Be Scrupulously Honest About His Work, But He Should Not Expect Scrupulous Honesty In Return. He Won't Get It. And When He Has Had Enough, He Should Say Goodbye With A Smile, Because For All He Knows He May Want To Go Back.

When I Left Merle Was Wearing A Bungalow Apron And Rolling Pie Crust. She Came To The Door Wiping Her Hands On The Apron And Kissed Me On The Mouth And Began To Cry And Ran Back Into The House, Leaving The Doorway Empty [...] I Had A Funny Feeling As I Saw The House Disappear, As Though I Had Written A Poem And It Was Very Good And I Had Lost It And Would Never Remember It Again. (p. 262)

Dead Men Are Heavier Than Broken Hearts.

The Overall Picture, As The Boys Say, Is Of A Degraded Community Whose Idealism Even Is Largely Fake. The Pretentiousness, The Bogus Enthusiasm, The Constant Drinking, The Incessant Squabbling Over Money, The All-pervasive Agent, The Strutting Of The Big Shots (and Their Usually Utter Incompetence To Achieve Anything They Start Out To Do), The Constant Fear Of Losing All This Fairy Gold And Being The Nothing They Have Never Ceased To Be, The Snide Tricks, The Whole Damn Mess Is Out Of This World.

Let Us Never Accept The Point Of View That Mysteries Are Written By Hacks. The Poorest Of Us Shed Our Blood Over Every Chapter. The Best Of Us Start From Scratch With Every New Book.