He Constructed A Vast Labyrinthine Of Periods,

Days And Nights Passed Over This Despair Of Flesh, But One Morning He Awoke, Looked (with Calm Now) At The Blurred Things That Lay About Him, And Felt, Inexplicably, The Way One Might Feel Upon Recognizing A Melody Or A Voice, That All This Had Happened To Him Before And That He Had Faced It With Fear But Also With Joy And Hopefulness And Curiosity. Then He Descended Into His Memory, Which Seemed To Him Endless, And Managed To Draw Up From That Vertigo The Lost Remembrance That Gleamed Like A Coin In The Rain - Perhaps Because He Had Never Really Looked At It Except (perhaps) In A Dream.

I Secretly Assumed, As Poets Do, The Duty On Me To Define The Moon.

Of All Man’s Instruments, The Most Wondrous, No Doubt, Is The Book. The Other Instruments Are Extensions Of His Body. The Microscope, The Telescope, Are Extensions Of His Sight; The Telephone Is The Extension Of His Voice; Then We Have The Plow And The Sword, Extensions Of The Arm. But The Book Is Something Else Altogether: The Book Is An Extension Of Memory And Imagination.

I Know Of One Semibarbarous Zone Whose Librarians Repudiate The "vain And Superstitious Habit" Of Trying To Find Sense In Books, Equating Such A Quest With Attempting To Find Meaning In Dreams Or In The Chaotic Lines On The Palms Of One's Hand.

Imprecision Is Tolerable And Verisimilar In Literature, Because We Always Tend Towards It In Life.