Given The Chance, I'll Die Like A

If You Watch Any Good Player, They're Using Different Parts Of Their Body And Working With Instruments That Respond To Those Movements. They're Moving In Many Dimensions At Once.

I Never Wanted To Write The Sort Of Song That Said, 'look At How Abnormal And Crazy And Out There I Am, Man!'

When I Was At Art College, The Teachers Who Helped Me Were Not The Ones I Agreed With, Or The Ones Who Encouraged Me, But The Ones Who Took Very Strong Positions. Because If Someone Does That, You Can Find Your Own Position In Relation To It: What Is It That I Don't Agree With? In The Studio I Want To Articulate A Position Clearly Enough So That Other People Can Use It - Or Chuck It Away If They Don't Want It.

There Is A Sort Of Convergence Starting To Happen Between The Computer And Musical Instruments, But It's Still Quite A Long Way Off.

Most Of Those Melodies Are Me Trying To Find Out What Notes Fit, And Then Hitting Ones That Don't Fit In A Very Interesting Way.