For Example, In My Dorm, At The

The Reason I Don't Want To Say Anything About It Is It Has A Strange Power To Take Over The Conversation. Just Like It's Doing With Us. I Was Asked To Participate In A Documentary About Richard Prince, And Be The Voice Of Someone Who Was Appropriated, And I Declined. The Reason I Did Is I Don't Want It To Be The Subject Of The Discussion Of My Work.

A Very Big Part Of The Life Of A Photograph Is The Afterlife.

I Will Just Say, Appropriation Is An Intellectual Idea Until It Happens To You. It's A Philosophy, And It's Got Its Own Intellectual Framework. Then There's What Happens When It's Your Photograph. Then It's Personal, And That's All I'll Say.

I Did A Story For The Geographic On Meriwether Lewis And William Clark, And Stephen Ambrose Was The Writer. He Said, "i've Got The Easiest Job In The World. I Just Have To Re-tell The Story Of The Greatest Fishing, Camping, Hunting, Canoeing Trip Of All Time. You, Sam, Have The Hardest Job, Which Is, Pretend Like Nothing Has Happened In The Last 200 Years.

Increasingly, It's People Not Interested In National Geographic.