For Every Reader Who Dies Today, A

I Wrote Two Plotted Books, Got Some Of The Fundamentals Of Storytelling Down, Then... It's Sort Of Like Taking The Training Wheels Off, Trying To Write A Book That's Fun In The Same Way Without Relying On Quite Such Mechanical Or External Beats.

Popularity Has Become Its Own Justification.

Depression Presents Itself As A Realism Regarding The Rottenness Of The World In General And The Rottenness Of Your Life In Particular. But The Realism Is Merely A Mask For Depression's Actual Essence, Which Is An Overwhelming Estrangement From Humanity. The More Persuaded You Are Of Your Unique Access To The Rottenness, The More Afraid You Become Of Engaging With The World; And The Less You Engage With The World, The More Perfidiously Happy-faced The Rest Of Humanity Seems For Continuing To Engage With It.

I'd Be Surprised If Non-fiction Writers Hate To Be Interviewed. We All Hate Them, Because There's Really Nothing To Say Except "read The Book." Right? At Least With Non-fiction, You Can Kind Of Convey Some Information, And People Can Decide For Themselves Whether They Want More Of That Kind Of Information. But With A Novel, What Am I Going To Do?

I've Moved Away From That Sort Of Deep-ecological Extremism. I Started To Think: What Can We Do For Wild Birds Right Now? I Don't Want These Particular Species To Disappear.