Flaubert Had Infinite Correction To Perform.

It Is No Longer The Sexual Which Is Indecent, It Is The Sentimental.

The Photograph Belongs To That Class Of Laminated Objects Whose Two Leaves Cannot Be Separated Without Destroying Them Both: The Windowpane And The Landscape, And Why Not: Good And Evil, Desire And Its Object: Dualities We Can Conceive But Not Perceive... Whatever It Grants To Vision And Whatever Its Manner, A Photograph Is Always Invisible: It Is Not It That We See.

I Want To Be Both Pathetic And Admirable, I Want To Be At The Same Time A Child And An Adult. Thereby I Gamble, I Take A Risk: For It Is Always Possible That The Other Will Simply Ask No Question Whatever About These Unaccustomed Glasses; That The Other Will See, In The Fact, No Sign.

Thus Every Writer's Motto Reads: Mad I Cannot Be, Sane I Do Not Deign To Be, Neurotic I Am.

Other Countries Drink To Get Drunk, And This Is Accepted By Everyone; In France, Drunkenness Is A Consequence, Never An Intention. A Drink Is Felt As The Spinning Out Of A Pleasure, Not As The Necessary Cause Of An Effect Which Is Sought: Wine Is Not Only A Philtre, It Is Also The Leisurely Act Of Drinking.