Everything Has The Energy Of Its Making

When I’m Working With Materials It’s Not Just The Leaf Or The Stone, It’s The Processes That Are Behind Them That Are Important. That’s What I’m Trying To Understand, Not A Single Isolated Object But Nature As A Whole.

Occasionally I Have Come Across A Last Patch Of Snow On Top Of A Mountain In Late May Or June. There's Something Very Powerful About Finding Snow In Summer.

Winter Makes A Bridge Between One Year And Another And, In This Case, One Century And The Next.

If I Had To Describe My Work In One Word, That Word Would Be Time.

My Art Recognizes The Human Place, The Human Context - Especially In Britain, Which Is A Landscape So Worked By People For Thousands Of Years, Written, Deeply Ingrained With The Presence Of People.