Everything Has The Energy Of Its Making

The Difference Between A Theatre With And Without An Audience Is Enormous. There Is A Palpable, Critical Energy Created By The Presence Of The Audience.

I've Laid Down In Dried Up Streambeds, Leaving A Shadow. And Then, Five Minutes Later, It's Flash Flooded, And Where I Once Laid Is Now Running Water, Which Would've Washed Me Away, You Know? There's That Power And Danger Often In Places That Look So Calm And Pastoral To Begin With.

I Soon Realised That What Had Happened On A Small Scale Cannot Necessarily Be Repeated On A Larger Scale. The Stones Were So Big That The Amount Of Heat Required Was Prohibitively Expensive And Wasteful.

A Lot Of My Work Is Like Picking Potatoes; You Have To Get Into The Rhythm Of It. It Is Different Than Patience. It Is Not Thinking. It Is Working With The Rhythm.

I Just See Myself As An Object In The Final Image. I Know I'm Experiencing It When I'm There Working On It. I'm There To Be Worked With, As Anything Else That I Work With.