Everyone Is Encouraged To See Their Lives,

Everything That You Could Think About In Life, Or Experience, Or Be Interested In, Theoretically Should Be Expressed Or Dealt With In Cinema. But The Way Typical Narratives Are Set Up, There's No Room For Philosophy, Because It's Just Digressive Material. It's Not Advancing The Plot, So There's No Place For It. It's The Kind Of Stuff You Would Cut Out, And That You Shouldn't Have Put In There To Begin With.

It's Disappointing To See Films Become Pure Entertainment, So That It's Not An Art Form.

The Trick Is To Combine Your Waking Rational Abilities With The Infinite Possibilities Of Your Dreams. Because, If You Can Do That, You Can Do Anything.

Normally My Process Is To Sit In A Room And Read A Script And Talk About It And Ask Questions And Just Create A Dialogue. That Goes All The Way Through Shooting. All Kinds Of Thoughts And Ideas Can Find Their Way In There. As Long As You're All On - We're Just All Trying To Tell The Story So My Job As A Director Is Just To Find Out What This Film Wants To Be Based On, It's Just Words On A Page At Some Point But Then It Just Needs To Go To Some Level Of Believable Storytelling. I'm Discovering The Film As I Make It, To Some Degree.

I Always Think That I’m Still This 13-year Old Boy That Doesn’t Really Know How To Be An Adult, Pretending To Live My Life, Taking Notes For When I’ll Really Have To Do It.