Everyone I Talk To Says Stuff Like,

'love' Has That Kubrick Tonality To It, But This Is Not A Stanley Kubrick Movie - There Will Never Be Another. At The Same Time, 'love' Has A Modern Feel. For Example: In One Scene, These Astronauts Go Through A Wormhole Sequence, And You Feel Like You're Being Slapped Around Inside Your Head By A Sonic Boom.

My Whole Life Has Been Completely About Being Underestimated. I Remember When Blink Signed To A Major Label, And We Had A Debut Party For The Signing. No One Came To Party, Only The Guy That Signed Us. And I Remember Sitting There, Like, "s**t, No One Likes This."

When I Write In The Studio, I Tend To Gravitate Toward The Ability To Play Really Loud, Aggressive, Post-punk Stuff, With Big, Heavy Guitars And A Big Rock Drum Sound.

The Labels Can't Do Anything For A Band Anymore - They're Stuck And They Have No Money And They're Just Holding Onto Contracts That Have Existed From A Time Where There Were Resources.

When We Started Angels Airwaves, We Wanted To Produce Our Art On Different Mediums, But The Film Was An Ambitious One Because We Actually Didn't Go Into It Thinking We Could Make A Big Feature Film.