Everybody Has Their Black Moments.

Shooting A Movie Is The Worst Milieu For Creative Work Ever Devised By Man.

You Sit At The Board And Suddenly Your Heart Leaps. Your Hand Trembles To Pick Up The Piece And Move It. But What Chess Teaches You Is That You Must Sit There Calmly And Think About Whether It's Really A Good Idea And Whether There Are Other, Better Ideas.

You're Free To Speculate As You Wish About The Philosophical And Allegorical Meaning Of The Film—and Such Speculation Is One Indication That It Has Succeeded In Gripping The Audience At A Deep Level—but I Don't Want To Spell Out A Verbal Road Map For 2001 That Every Viewer Will Feel Obligated To Pursue Or Else Fear He's Missed The Point.

The Essence Of Dramatic Form Is To Let An Idea Come Over People Without It Being Plainly Stated. When You Say Something Directly, It's Simply Not As Potent As It Is When You Allow People To Discover It For Themselves.

I Don't Think That Writers Or Painters Or Filmmakers Function Because They Have Something They Particularly Want To Say. They Have Something That They Feel. And They Like The Art Form; They Like Words, Or The Smell Of Paint, Or Celluloid And Photographic Images And Working With Actors. I Don't Think That Any Genuine Artist Has Ever Been Oriented By Some Didactic Point Of View, Even If He Thought He Was.