Every Artist Is An Unhappy Lover. And

I Think The Novel Is Essentially A Comic Form (tragedy Is For The Theatre), Not Meaning By That Full Of Jokes, But That It Is About The Absurd Detail Of Human Life, The Way In Which One Cannot Fully Understand What Is Happening. Life Is Muddle And Jumble And Ends Inconclusively, And When This Is Presented With Great Comic Art The Sorrows Of Human Life Can Be Truthfully Conveyed; One Is Moved By The Spectacle, And Feels That Something Truthful Has Been Told In A Magic Way.

It Is In The Capacity To Love, That Is To See, That The Liberation Of The Soul From Fantasy Consists. The Freedom Which Is A Proper Human Goal Is The Freedom From Fantasy, That Is The Realism Of Compassion. What I Have Called Fantasy, The Proliferation Of Blinding Self-centered Aims And Images, Is Itself A Powerful System Of Energy, And Most Of What Is Often Called 'will' Or 'willing' Belongs To This System. What Counteracts The System Is Attention To Reality Inspired By, Consisting Of, Love.

Of Course Men Play Roles, But Women Play Roles Too, Blanker Ones. They Have, In The Play Of Life, Fewer Good Lines.

Every Human Soul Has Seen, Perhaps Before Their Birth, Pure Forms Such As Justice, Temperance, Beauty And All The Great Moral Qualities Which We Hold In Honour. We Are Moved Towards What Is Good By The Faint Memory Of These Forms, Simple And Calm And Blessed, Which We Saw Once In A Pure, Clear Light, Being Pure Ourselves.

We Need A Moral Philosophy In Which The Concept Of Love, So Rarely Mentioned Now By Philosophers, Can Once Again Be Made Central.