Dreams Take Short Cuts.

I Went To The Springs While The Sun Was Still Up, And Sitting On A Rocky Outcrop Above The Cave Mouth I Watched The Light Grow Reddish Across The Misty Pools, And Listened To The Troubled Voice Of The Water. After A While I Moved Farther Up The Hill, Where I Could Hear Birds Singing Near And Far In The Silence Of The Trees. The Presence Of The Trees Was Very Strong...the Big Oaks Stood So Many, So Massive In Their Other Life, In Their Deep, Rooted Silence: The Awe Of Them Came On Me, The Religion.

Great Artists Make The Roads; Good Teachers And Good Companions Can Point Them Out. But There Ain't No Free Rides, Baby. No Hitchhiking. And If You Want To Strike Out In Any New Direction — You Go Alone. With A Machete In Your Hand And The Fear Of God In Your Heart.

I Have No Control Over My Writing. I Have Lots Of Good Intentions, But No Control. There's A Story That Wants To Be Told.

The Unread Story Is Not A Story; It Is Little Black Marks On Wood Pulp. The Reader, Reading It, Makes It Live: A Live Thing, A Story.

In Many College English Courses The Words “myth” And “symbol” Are Given A Tremendous Charge Of Significance. You Just Ain’t No Good Unless You Can See A Symbol Hiding, Like A Scared Gerbil, Under Every Page. And In Many Creative Writing Course The Little Beasts Multiply, The Place Swarms With Them. What Does This Mean? What Does That Symbolize? What Is The Underlying Mythos? Kids Come Lurching Out Of Such Courses With A Brain Full Of Gerbils. And They Sit Down And Write A Lot Of Empty Pomposity, Under The Impression That That’s How Melville Did It.