Drama Is Exposure; It Is Confrontation; It

We Are Aware That The Conductor Is Not Really Making The Music, It Is Making Him -- If He Is Relaxed, Open And Attuned, Then The Invisible Will Take Possession Of Him; Through Him, It Will Reach Us.

A Stage Space Has Two Rules: (1) Anything Can Happen And (2) Something Must Happen.

Reality' Is A Word With Many Meanings.

Now What Is Earth, What Are You Rubbing In Directing?

Theatres, Actors, Critics And Public Are Interlocked In A Machine That Creaks But Never Stops. There Is Always A New Season In Hand And We Are To Busy To Ask The Only Vital Question Which Measures The Whole Structure. Why Theatre At All? What For? Is It An Anachronism, A Superannuated Oddity? Surviving Like An Old Monument Or A Quaint Custom? Why Do We Applaud And What? Has The Stage A Real Place In Our Lives? What Function Can It Have? What Could It Serve? What Could It Explore? What Are Its Special Properties?