Do Those Clowns Really Believe What They

Once Upon A Time There Lived In Berlin, Germany, A Man Called Albinus. He Was Rich, Respectable, Happy; One Day He Abandoned His Wife For The Sake Of A Youthful Mistress; He Loved; Was Not Loved; And His Life Ended In Disaster. This Is The Whole Of The Story And We Might Have Left It At That Had There Not Been Profit And Pleasure In The Telling; And Although There Is Plenty Of Space On A Gravestone To Contain, Bound In Moss, The Abridged Version Of A Man's Life, Detail Is Always Welcome.

There Are Two Kinds Of Visual Memory: One When You Skillfully Recreate An Image In The Laboratory Of Your Mind, With Your Eyes Open (and Then I See Annabel In Such General Terms As: "honey-colored Skin," "thin Arms," "brown Bobbed Hair," "long Lashes," "big Bright Mouth"); And The Other When You Instantly Evoke, With Shut Eyes, On The Dark Innerside Of Your Eyelids, The Objective, Absolutely Optical Replica Of A Beloved Face, A Little Ghost In Natural Colors (and This Is How I See Lolita).

If He Was Silent I Could Be Silent Too. Indeed, I Could Very Well Do With A Little Rest In This Subdued, Frightened-to-death Rocking Chair, Before I Drove To Wherever The Beast's Lair Was - And Then Pulled The Pistol's Foreskin Back, And Then Enjoyed The Orgasm Of The Crushed Trigger.

I Do Not Begin My Novel At The Beginning, I Do Not Reach Chapter Three Before I Reach Chapter Four, I Do Not Go Dutifully From One Page To The Next, In Consecutive Order; No, I Pick Out A Bit Here And A Bit There, Till I Have Filled All The Gaps On Paper. This Is Why I Like Writing My Stories And Novels On Index Cards, Numbering Them Later When The Whole Set Is Complete. Every Card Is Rewritten Many Times.

There Is No Science Without Fancy And No Art Without Fact.