Desire Has No History.

The Painter Constructs, The Photographer Discloses.

Surrealism Is A Bourgeois Disaffection; That Its Militants Thought It Universal Is Only One Of The Signs That It Is Typically Bourgeois.

Our Very Sense Of Situation Is Now Articulated By The Camera's Interventions. The Omnipresence Of Cameras Persuasively Suggests That Time Consists Of Interesting Events, Events Worth Photographing. This, In Turn, Makes It Easy To Feel That Any Event, Once Underway, And Whatever Its Moral Character, Should Be Allowed To Complete Itself - So That Something Else Can Be Brought Into The World, The Photograph.

A Work Of Art, So Far As It Is A Work Of Art, Cannot - Whatever The Artist's Personal Intention - Advocate Anything At All.

Marriage Is A Sort Of Tacit Hunting In Couples.