Chris Martin's A Good Friend Of Mine.

Like Behind The Car Or In The Pub, To Do A Scene, A Proper Nice Dramatic Scene, It's Always A Treat. And They're Usually Shot As One, So You've Got A Big Chunk Of Dialogue To Learn, And You Feel Like You're Working.

There Seems To Be This Tendency Toward Denigrating Romantic Comedies As Of Late Because It Becomes Something Sort Of Cheesy Or Whatever. Whereas This Embraced What It Was. As A Fan Of When Harry Met Sally Or Annie Hall, As A Demonstration Of What Romantic Comedy Could Be And Should Be, I Immediately Phoned Nira Back And Said, "yeah, I'd Like To Do This. It'll Be Fun."

Now There's A Whole Generation Of Filmmakers Who Grew Up Making Their Own Films With Video Cameras, And Have Dined Entirely On A Diet Of Popular Culture. It's Been Reflected In A Lot Of Their Work. It's Self-reflective, It's Quite Knowing, But It's Very Literate.

Plainly It Isn't An Exact Science, Despite It Being A Complex Interaction Of Micro-decisions And Corresponding Thought; Perhaps It Doesn't Always Work And We Pass By Some Potential Soulmates Like The Proverbial Ships In The Night, Never Quite Connecting. Then Again, Perhaps The System Is Tenacious And Continues To Run Like A Computer Program On Infinite Loop, So That If At First You Don't Meet, You Are Drawn Back Together For Another Try.

It's A Fun World To Exist In, And I Relish Doing Those Movies As Much As I Do The Smaller Ones. They're Always Immense Fun. I Don't Know If I Am - Unless We Do A Benji Film, I Don't Think I Am An Action Hero Really.