By Manipulating What You Hear And How

When I'm Actually Assembling A Scene, I Assemble It As A Silent Movie. Even If It's A Dialog Scene, I Lip Read What People Are Saying.

The Notion Of Directing A Film Is The Invention Of Critics - The Whole Eloquence Of Cinema Is Achieved In The Editing Room.

This Applies To Many Film Jobs, Not Just Editing: Half The Job Is Doing The Job, And The Other Half Is Finding Ways To Get Along With People And Tuning Yourself In To The Delicacy Of The Situation.

I Think Every Age Has A Medium That Talks To It More Eloquently Than The Others. In The 19th Century It Was Symphonic Music And The Novel. For Various Technical And Artistic Reasons, Film Became That Eloquent Medium For The 20th Century.

There Are Two Kinds Of Filmmaking: Hitchcock's (the Film Is Complete In The Director's Mind) And Coppola's (which Thrives On Process). For Hitchcock, Any Variation From The Complete Internal Idea Is Seen As A Defect. The Perfection Already Exists. Coppola's Approach Is To Harvest The Random Elements That The Process Throws Up, Things That Were Not In His Mind When He Began.