But Surely To Tell These Tall Tales

For Example, You Have These Grotesque, Hilarious, Profane Ghosts In The Book [lincoln In The Bardo]. Even The Concept Of Talking Ghosts Is, From An Aesthetic Point Of View, Grotesque. But You Seem Compelled By That Risk In Order To Get To The Other End Of The Equation.

The Ideal Reader Cannot Sleep When Holding The Writer He Was Meant To Be With.

When I Write I Am Trying To Express My Way Of Being In The World. This Is Primarily A Process Of Elimination: Once You Have Removed All The Dead Language, The Second-hand Dogma, The Truths That Are Not Your Own But Other People's, The Mottos, The Slogans, The Out-and-out Lies Of Your Nation, The Myths Of Your Historical Moment - Once You Have Removed All That Warps Experience Into A Shape You Do Not Recognise And Do Not Believe In - What You Are Left With Is Something Approximating The Truth Of Your Own Conception.

A Lot Of [george Saunders] Early Stories Now Feel Prophetic. Take The Recent Election [of Donald Trump]. Historians In 100 Years Might Write About It As Being The First Internet Election, In Which What Happened Was Actually An Expression In The Real World Of A Virtual Reality. And You've Been Writing About That Subject For A While.

The Last Page Of [lincoln In The Bardo] - Without Giving Too Much Away - Involves Somebody Entering Somebody Else. Not In A Sexual Way. But It Says One Of The Simplest Things You Could Ever Say, Which Is That We Must Try And Be Inside Each Other. We Must Have Some Kind Of Feeling For Each Other And Enter Into Each Other's Experience.