But I've Been Surprised Over The Years.

Usually With Things, You Go Where You Can Find The Financing To Do It.

I Remember When We Were Doing The First Dragon's Lair, I Got Really Involved With Coming Up With All The Little Rooms And What Was The Danger In The Room And Going Into It With Bats And Spiders And Snakes.

Once You Work With A Studio On A Film, The Studio Is Sort Of Like This Enormous Clam That Just Opens, Takes Everything And Then Closes, And No One Enters Again. They Own It All.

In The Animation World, People Who Understand Pencils And Paper Usually Aren't Computer People, And The Computer People Usually Aren't The Artistic People, So They Always Stand On Opposite Sides Of The Line.

I Cannot Explain Why They Made That Sequel To Secret Of Nimh. Because They Claim That It The Original Didn't Make Money, So What Was The Enthusiasm To Make A Sequel?