British Men Are Peacocks. You See A

It Was Like One Of Those Dreams At High School When Everyone Else Has Clothes On Except You.

The Seventies Is What I Love. Soft, Touchable Beauty Is What I Love.

Part Of My Family Were Ranchers. So You Were Expected To Be Quite Macho. You Weren't Expected To Cry. I Was The Exact Opposite Of That.

For Fleur De Chine, I Imagined The Romantic And Mysterious Women From Asia's Cinematic Past-from The '30s Femme Fatale In A Cheongsam And Dark Lipstick, To The'60s Hong Kong Heroine Of In The Mood For Love. I Wanted To Capture That Fascinating, Exquisite And Slightly Scandalous Femininity.

Both Film And Fashion Are Businesses Where The Audience Doesn't Feel Or See The Work That Goes On Behind The Scenes.