Both Film And Fashion Are Businesses Where

I Was The Sensitive, Shy Kid That Was Teased A Lot. I Was Very Definitely Bullied. I Mean, From An Early Age, I Dressed More Like An Adult, You Know, Jackets And Very Slim Trousers And A Raincoat. And I - Even When I Was 7, 8, 9-years-old, Carried An Attache Case To School Because I Just Hated The Sloppiness Of A Book Bag.

When I Was A Little Kid, All I Wanted To Do Was To Escape What I Thought Was The Country And Get To A City. Probably Film And Television Had Influenced Me So Much, I Really Thought The Key To Happiness Was Living A Very Artificial Life In A Penthouse In New York With Martini Glasses.

I Realized That The Way I Approached Architecture Was With A Somewhat Fashion Brain. That Didn't Get Me Very Good Marks In School, Because Everyone Thought Fashion Was Lightweight. In Architecture They Say, "well, Why Is The Door Pink? Where Does It Go? What Does The Pink Mean? What Does It Symbolize? All The Other Doors Are Beige, Why Is That One Pink?" I Was Like, "well, It's Pink Because It's Pretty."

It's Not A Feminizing Product; It's Designed To Make Your Skin Look Better.

A Film, Since It Is Primarily A Visual Medium, Should Really Be Like A Silent Film. You Should Be Able To Watch Something And Understand What Was Going On And Use Voice When You Need To Communicate Something You Can't Necessarily Communicate Visually. The Book Is The Opposite. The Book Is An Inner Monologue Which Is Beautiful.