Becoming Artistic Directors Is An Enormous Responsibility

I Think You're Peripatetic When You Work In This Industry. My Husband And I Are Assuming The Role Of Co-artistic Directors At The Sydney Theatre Company In 2008. But As Long As The Film Industry Will Have Me, I Will Have It.

You Can't Really Achieve Anything In Three Years.

I Could Do A Thousand Films That Are Easy For Me To Do-that's If I Don't Fall In The Next Year, Because Everyone's About To Fall. What's So Funny Is You Look At All Us Young Guys And We're Already Thinking, Well, I'm Going To Branch Out Into Directing, And It's All Going To Be This And That.

If You Know Why Someone Is Doing What They're Doing, Why They're Behaving The Way They Are, Then That's Your Job To Reveal That, And Often That's Situational. The Storytelling Does That, And Then Some Of It's Your Job As An Actor To Make That Subtext Come To Life.

With A Role Like Hedda Gabler, Which Is Incredibly Complicated, You Often Feel That You Haven't Even Scratched The Surface The First Time Around, So You Relish The Opportunity To Do It Again, Particularly With An Ensemble Of Actors And The Company We Assembled. But When You Do That In Films You Somehow Have To Make Some Attempt To Uncross People's Arms And You Have To Justify Why You're Doing It.