Because Most Of My Career In The Classroom Has Been At Art Schools (beginning At Bennington In The 1970s), I Am Hyper-aware Of The Often Grotesque Disconnect Between Commentary On The Arts And The Actual Practice Or Production Of The Arts.
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Because Most Of My Career In The
Because Most Of My Career In The Classroom Has Been At Art Schools (beginning At Bennington In The 1970s), I Am Hyper-aware Of The Often Grotesque Disconnect Between Commentary On The Arts And The Actual Practice Or Production Of The Arts.
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