As With The Princess Di Crash, Which

I Have Problems With A Lot Of Photography, Particularly Street Photography And Photojournalism - Objectifying The Other, Finding The Contempt And Exoticism That You Might Feel Within Yourself Or Toward Yourself And Projecting It Out To Others. There Can Be An Abusive Power To Photography, Too.

Photography Has Saturated Us As Spectators From Its Inception Amidst A Mingling Of Laboratorial Pursuits And Magic Acts To Its Current Status As Propagator Of Convention, Cultural Commodity, And Global Hobby.

We Are Obliged To Steal Pieces Of Language, Both Visual And Textual.

I See My Work As A Series Of Attempts To Ruin Certain Representations And To Welcome A Female Spectator Into The Audience Of Men. If This Work Is Considered Incorrect, All The Better, For My Attempts Aim To Undermine That Singular Pontificating Male Voice-over Which Correctly Instructs Our Pleasures And Histories Or Lack Of Them.

The So-called Language Of Barbara Kruger Is Vernacular Language. Obviously, I Pick Through Bits And Pieces Of It And Figure Out To Some Degree How To Objectify My Experience Of The World, Using Pictures And Words That Construct And Contain Me.