As Soon As I Hear A Sound,

I Thought It Was Magic To Be Able To Catch Something Identically On Tape And Then Be Able To Play Around With It, Run It Backwards; I Thought That Was Great For Years.

I Hate The Way Cds Just Drone On For Bloody Hours And You Stop Caring.

I'm Struck By The Insidious, Computer-driven Tendency To Take Things Out Of The Domain Of Muscular Activity And Put Them Into The Domain Of Mental Activity.

The Micro-compositions Are The Pieces Themselves, But The Macro-composition Is The Whole Set Of Them And How It Moves From Track To Track And How The Titles Relate To One Another, For Example. Always When I Do Records Like This Of A Selection Of Instrumental Pieces - The Titles, To Me, Are Very Important.

Everybody Is Entertained To Death.