Artists Themselves Are Not Confined, But Their

A Camera Is Wild In Just About Anybody's Hands, Therefore One Must Set Limits. But Cameras Have A Life Of Their Own. Cameras Care Nothing About Cults Or Isms. They Are Indifferent Mechanical Eyes, Ready To Devour Anything In Sight. They Are Lenses Of The Unlimited Reproduction.

History Is A Facsimile Of Events Held Together By Finally Biographical Information.

An Emotion Is Suggested And Demolished In One Glance By Certain Words.

Cultural Confinement Takes Place When A Curator Imposes His Own Limits On An Art Exhibition, Rather Than Asking An Artist To Set His Limits.

History Is Representational, While Time Is Abstract; Both Of These Artifices May Be Found In Museums, Where They Span Everybody's Own Vacancy