Art Is Nowhere Near As Dangerous As

I Think It's For The Critics To Decide Whether Or Not Their Loathing Of The Play Is Based On Something Other Than The Play's Merits Or Demerits. They Must Search Their Own Souls, Or Whatever.

I Don't Feel That Catharsis In A Play Necessarily Takes Place During The Course Of A Play. Often It Should Take Place Afterward.

I Think That's Foolishness On The Part Of The Playwright To Write About Himself. People Don't Know Anything About Themselves.

When I'm Writing A Play I Hear It Like Music. I Use The Same Indications That A Composer Does For Duration. There's A Difference, I Tell My Students, Between A Semi-colon And A Period. A Difference In Duration. And We Have All These Wonderful Things, We Use Commas And Underlining And All The Wonderful Punctuation Things We Can Use In The Same Way A Composer Uses Them In Music. And We Can Indicate, As Specifically As A Composer, The Way We Want Our Piece To Sound.

I Know Playwrights Who Like To Kid Themselves Into Saying That Their Characters Are So Well Formed That They Just Take Over. They Determine The Structure Of The Play. By Which Is Meant, I Suspect, Only That The Unconscious Mind Has Done Its Work So Thoroughly That The Play Just Has To Be Filtered Through The Conscious Mind. But There's Work To Be Done - And Discovery To Be Made.