Anything In History Or Nature That Can

Literature Can Train, And Exercise, Our Ability To Weep For Those Who Are Not Us Or Ours.

I Think Part Of The Success Which Structuralist Or Post-structuralist Thought In Critical Theory Has Had In Literary Studies In American Universities Is Due To A Theoretical Vacuum.

The Point Is To Get A Good Rhythm, To Make It Mindless, Almost As A Daydream. To Walk Like Breathing. To Make It What The Body Wants, What The Air Wants, What Time Wants.

The History Of Art Is A Sequence Of Successful Transgressions.

To Photograph Is To Appropriate The Thing Photographed. It Means Putting Oneself Into A Certain Relation To The World That Feels Like Knowledge-and Therefore, Like Power.