And The Thing Is, Every Time You

It Was Really Interesting To Be Editing The Film [trust] In New York And Directing The Play In Chicago, And One Definitely Informed The Other. The Play Probably Benefitted More Because I Realized What Scenes Could Be Cut, And I Cut Those Scenes From The Play.

When You See Liana [liberato], Who At The Time Was 14, There Is An Inexperience And Innocence That You Can't Act And You Can't Fake.

There Are Certain Pressures And Things That Change Your Life To A Degree That, In The Cost Benefit Analysis That Constantly Goes On, Sometimes Makes You Think, 'maybe I Should Just Leave.

I Spend Half My Time Just Living My Life, And The Other Half Analyzing It.

I'm Very Goal Oriented.