And She Was Mine, She Was Mine,

If I Correctly Understand The Sense Of This Succinct Observation, Our Poet Suggests Here That Human Life Is But A Series Of Footnotes To A Vast Obscure Unfinished Masterpiece.

Here Lies The Sense Of Literary Creation To Portray Ordinary Objects As They Will Be Reflected In Kindly Mirrors Of Future Times. . . . To Find In Objects Around Us The Fragrant Tenderness That Only Posterity Will Discern . . .

Between The Age Limits Of Nine And Fourteen There Occur Maidens Who, To Certain Bewitched Travelers, Twice Or Many Times Older Than They, Reveal Their True Nature Which Is Not Human, But Nymphic (that Is, Demoniac); And These Chosen Creatures I Propose To Designate As Nymphets.

Ada Girl, Adored Girl, [...] I'm A Radiant Void. I'm Convalescing After A Long And Dreadful Illness. You Cried Over My Unseemly Scar, But Now Life Is Going To Be Nothing But Love And Laughter, And Corn In Cans. I Cannot Brood Over Broken Hearts, Mine Is Too Recently Mended.

Solitude Was Corrupting Me.