And For Me There's Still More Material

So We Are Pretty Convinced We Don't Want To Play Huge Stadiums Unless We Can Play Them Well.

Music Is A Universal Language Insofar As You Don't Need To Know Anything Else About A Musician That You Are Playing With Other Than That They Can Play Music. It Doesn't Matter What Their Music Is, You Can Find Something That You Can Play Together, With What Their Culture Is. The Dialect Part Of It Comes Into Play, But Nothing Like The Differentiation That Language Sets Up, For Example.

You Have To Be Ready, And Also You Have To Discard Notions That Are Fondly Held By A Lot Of Musicians, About Sequences And Notes And About Scales And Musical Systems As A Whole. If You Think Of Music As A Language, The Space Part Is Where You Throw Out All The Syntax.

The Only Way Things Work Around Here Is If Everybody Wants It To Work. If Everybody Wants It To Work, Then It Has A Prayer. Even Then, There's No Guarantee. But At Least It Has A Prayer.

The Performances In The Future Would Be Like An Audience Wired To Somebody Who Was Sort Of Instigating, And Then Moment-to-moment Creation Would Be Transmuted Individually.