An Artisan Without Memories, Whose Only Dream

Fame Is Very Agreeable, But The Bad Thing Is That It Goes On 24 Hours A Day.

The House Became Full Of Love. Aureliano Expressed It In Poetry That Had No Beginning And No End. He Would Write It On The Harsh Pieces Of Parchment That Melquiades Gave Him, On The Bathroom Walls, On The Skin Of His Arms, And In All Of It Remedios Would Appear Transfigured: Remedios In The Soporific Air Of Two In The Afternoon, Remedios In The Soft Breath Of The Roses, Remedios In The Water-clock Secrets Of The Moths, Remedios In The Steaming Morning Bread, Remedios Everywhere And Remedios Forever.

Before Reaching The Final Line, However, He Had Already Understood That He Would Never Leave That Room, For It Was Foreseen That The City Of Mirrors (or Mirages) Would Be Wiped Out By The Wind And Exiled From The Memory Of Men At The Precise Moment When Aureliano Babilonia Would Finish Deciphering The Parchments, And That Everything Written On Them Was Unrepeatable Since Time Immemorial And Forever More, Because Races Condemned To One Hundred Years Of Solitude Did Not Have A Second Opportunity On Earth.

There Is Always Something Left To Love.

A Lie Is More Comfortable Than Doubt, More Useful Than Love, More Lasting Than Truth.