Although I Adore The Italian High Renaissance,

Calling A Young Artist 'great' These Days Can Give One The Heebie-jeebies: The Word Has Been Denatured In The Past Decade.

The Art Gods Cooked Up Something Special For James Ensor.

The Very Paradigm Of Revolution, Of Right Versus Wrong, Good Versus Bad, Is A Relic With No Bearing On The Present. Yet Artists, Exhibitions, And Curators Valorize The Sixties. People Who Wrote About These Artists 30 Years Ago Still Write About Them In The Same Ways, Often For The Same Magazines.

I Also Take Pleasure In The So-called Negative Power In Grotjahn's Work. That Is, I Love His Paintings For What They Are Not. Unlike Much Art Of The Past Decade, Grotjahn Isn't Simply Working From A Prescribed Checklist Of Academically Acceptable, Curator-approved 'isms' And Twists.

Many Say An Art Dealer Running A Museum Is A 'conflict Of Interest.' But Maybe The Art World Has Lived An Artificial Or Unintentional Lie All Of These Years When It Comes To Conflicts Of Interest.