All The Real Work Is Done In

The Play Is On Top Of Me All The Time, And I Am Constantly Thinking About It. Even When I Leave The Theatre, I'll Mumble The Lines To Myself Or Think About The Way The Character Walks Or Holds Himself.

I Do Not Use Any Set Methods, Not Even The Method. The Character After All Is In The Lines.

Loomis Has Always Felt Himself Responsible For The Fact That He Did Not Stop Michael When He First Murdered His Sister, And So He's Got That Guilt To Live With.

The Process Of Creation Goes On All The Time. When I Get Through, I Feel I Know What The Character Will Do In Every Situation. But The Building Up Of The Part Is Not Mechanical Or Deliberate. It Grows Out Of The Text.

I Don't Really Know How Many Films I've Done, And I Don't Look At This As A Race That I Necessarily Want To Win. Nor Is It A Race That I Want To Stop Running.