All Children Have To Be Deceived If

You Could Say I'd Rewritten The Same Novel Three Times And I Thought I Had To Move On. The Success Of The Book, And Then The Movie, Had By Then Also Created A Commercial Expectation And I Remember Touring America And Seeing People In The Audiences Who I Thought Might Not Want To Read The Books I Wanted To Write Next. My Constituency Had Become Broader, But More Mysterious To Me.

I Still Have A Suspicion Of Charity And Think The State Has A Role To Play In Many Areas. And Although For Most Of The Years Since I Have Been A Rather Privileged Writer, I Identify More Closely Than Perhaps I Should With Those Social Workers. Had I Not Become A Writer That Would Have Been Me. Lots Of Our Friends Are Still In That World And I Do Feel Part Of That Generation Of People Who Were Rather Idealistic In The 70s And Became Disillusioned In The 80s. Not Just About Social Services Issues, But The World.

What He Wanted Was Not Just To Hear About Hailsham, But To Remember Hailsham, Just Like It Had Been His Own Childhood. He Knew He Was Close To Completing And So That's What He Was Doing: Getting Me To Describe Things To Him, So They'd Really Sink In, So That Maybe During Those Sleepless Nights, With The Drugs And The Paint And The Exhaustion, The Line Would Blur Between What Were My Memories And What Were His.

I Want My Words To Survive Translation.

There's A Practical Problem About Time And Energy, And A More Subtle Problem Of What It Does To A Writer's Head, To Continually Analyze Why They Write, Where It All Comes From, Where It's Going To.