After Reaching 50, I Began To Wonder

There Are Limits To How Much Sound A Cello Can Make. That's Part Of The Framing Of Acoustical Instruments. Finding What Those Limits Might Be, And Then Trying To Suggest Perhaps Even The Illusion Of Going Beyond Is Part Of That Kind Of Effort.

As A Musician I'm Kind Of Nomadic, Waldo-like. I Show Up In Different Places, And I'm Witness To Unbelievable Things.

You Must Have A Reason To Be In The Places To Which You Go, And You Must Do Only Things That You Really Care About.

I Play An Instrument That Has Four Strings, And I'm Still Trying To Get It Right. What I've Tried To Do In The Process Of Playing These Four Strings Is To Try And Understand The People I Meet, The Stories They Have To Tell. And Then Become An Advocate For Them And Their Stories Through Music.

My Teacher, My Great Cello Teacher Leonard Rose, Was Such A Great Cellist, And Nurturing Man, Very Patient. But I Grew Up Not Only Admiring Him, But Obviously Casals, Rostrotovich, Jacqueline Du Pre, And Many Others, Including Many Of My Peers And Contemporaries.