Actually, Most Things I Say In Public

I Dont See Lines Of Force As Being Destructive, Except To The Extent That They Are Exclusively Traceable Through Observance Of The Path Of Distorted Material Left In Their Wake.

In My Model, Important Interference Phenomena Arise When Individual Strata Come Into Contact. These Chaotic Fluctuations Are, I Suppose, What My Music Is Really About.

As A Necessary Prerequisite To The Creation Of New Forms Of Expression One Might, I Suppose, Argue That Current Sensibilities Respond Uniquely To The Notion Of Exhaustion As Exhaustion, Although That Does De Facto Seem Rather Limiting.

Naturally Enough, I Couldn't Have Foreseen The Vast Sea Change Which Has Come Upon That Scene As A Result Of German Reunification And Associated Events.

This Was Possible Only By Dint Of Extended Periods Of Frequently Quite Painful Reflection And Digestion.