A Trite Word Is An Overused Word

Perhaps The Only Magician We Have Is The Artist.

Talk—half-talk, Phrases That Had No Need To Be Finished, Abstractions, Chinese Bells Played On With Cotton-tipped Sticks, Mock Orange Blossoms Painted On Porcelain. The Muffled, Close, Half-talk Of Soft-fleshed Women. The Men She Had Embraced, And The Women, All Washing Against The Resonance Of My Memory. Sound Within Sound, Scene Within Scene, Woman Within Woman—like Acid Revealing An Invisible Script. One Woman Within Another Eternally, In A Far-reaching Procession, Shattering My Mind Into Fragments, Into Quarter Tones Which No Orchestral Baton Can Ever Make Whole Again.

Coming Near Him Like A Ballet Dancer She Took A Leap Towards Him, And He, Frightened By Her Vehemence, And Fearing That She Would Crash Against Him, Instinctively Became Absolutely Rigid, And She Felt Herself Embracing A Statue.

People Living Deeply Have No Fear Of Death.

She Was Fully, Painfully Aware That Very Rarely Did Midnight Strike In Two Hearts At Once, Very Rarely Did Midnight Arouse Two Different Equal Desires, And That Any Dislocation In This, Any Indifference, Was An Indication Of Disunity, Of The Difficulties, The Impossibilities Of Fusion Between Two Human Beings.