A Fool And His Money Are Quickly

You Prep, You Prep, You Prep. And On The Day That You Film, You Let All Of That Go. I Try To Achieve Emptiness As Much As Possible - The Zen Thing - To Let The Deal Come Out Of That Nothing.

You Don't Really Have To Do The Things That Your Character Is Doing. But Us Actors, We Use Something Called Sense Memory. I've Certainly Been Drunk Before, And Part Of My Job Is To Recall That Without Getting Drunk.

There Are Some Actors That Want You To Call Them By Their Character's Name And They Have No Relationship With You Outside Of The Character. But I Like To Get To Know Who I'm Working With So That We Can Relax Together, And It's More Fun.

There's Lots Of Good Movies Where You Feel That The Dialogue Could Be Improvised, But Very Little Was. The "big Lebowski" Was Like That Where People Say "oh, You Know, That Sounds So..." And We'd Always Go Back And Get Every Man, Every Ellipses In There The Way These Guys Write It. Because Not Only Is It Saying What Michael Wants The Character To Say But The Way They All Speak Kind Of Creates This Tone Because It's Not Exactly Real.

She Was This Incredible Mom. With Each Of Her Kids, She Did Something Called `time,' Where She Would Spend An Hour Each Day Doing Whatever The Kid Wanted To Do, Whether It Was Play Spacemen Or `let's Go Into Your Makeup, And I'll Make You Up Like A Clown.' And As A Teenager You'd Be Like, `rub Me, Mom. Give Me A Massage.'